A couple of people I know questioned the wisdom of Edmonton’s Growlery Beer Co. celebrating its first anniversary by releasing a barley wine during the summer.
Under normal circumstances, I might agree. But between the cold, rainy weather passing for “summer” in Edmonton so far and the COVID-19 pandemic keeping us housebound, I think it turned out to be an astute choice.
It also helps that the beer is top-notch example of the style — one that wouldn’t be out of place alongside Alley Kat’s Olde Deuteronomy and Brewsters’ Blue Monk, beers that have earned their status as local classics through years of consistent excellence.
The beer inside the can is the main attraction, but let me add a hat-tip to the branding and packaging as well. Growlery co-owners Kevin Danard and Jeff Pollock set up shop on Airport Road with a hope of becoming the neighbourhood brewery for residents of Blatchford, the new community being built on the former site of the City Centre Airport. The name of the beer — YXD — is the old aerodrome’s location identifier and a nice nod to its place in the area’s history, as is the art of the control tower on the can.
The beer poured with an inviting cinnamon and toffee aroma. There was more to it once I dove in: a pleasantly spicy gingerbread taste up front, followed by some dark chocolate and roasted notes at the back end and some mildly earthy hops.
Even though it came out of my beer fridge at an appropriate temperature (I use a repurposed dual-zone wine cooler with a shelf set to 10 C for barley wines, some strong Belgian styles and others), I was surprised by how much more this beer opened up after a while: some nice caramelized sugar aroma and flavour emerged and added another layer of complexity.
At 10.5% ABV, YXD had a slight boozy burn when it warmed up, but it’s smooth and refined for such a young barley wine. As I usually do, I bought a couple of cans for aging and I’m looking forward to seeing how it tastes in a few years.
YXD is the handiwork of brewer Matt Cockle, who became The Growlery’s brewer in the summer of 2019. The Growlery’s early releases were uneven, frankly, and the company and its original brewer parted ways. Diacetyl, an off-flavour that can give beer a buttery taste, was a persistent problem prior to Cockle’s arrival.
During Cockle’s tenure, The Growlery has produced a line-up that includes an enjoyable and easy-drinking kolsch, as well as a West Coast IPA that ticks all the boxes with piney and citrus hop traits backed by some assertive bitterness.
The pandemic has posed challenges for lot of breweries in Alberta, but public health restrictions that closed brewery taprooms hit The Growlery particularly hard: its business model relied heavily on taproom sales , with no packaged product available in liquor stores.
Like a lot of breweries, The Growlery was able to pivot and began canning beer for retail sale at the end of April. With some solid beers on store shelves and the easing of public health restrictions, hopefully The Growlery’s second year in business will be less turbulent than the first. The signs are certainly pointing toward a brewery that’s headed in the right direction.
One aspect of craft beer culture that has always bored me is the fetishization of high-alcohol and extreme beers. There’s a contingent of boozy chuckleheads that will unfailingly rave about any beer as long as it’s strong enough or packed with enough vanilla beans and cocoa nibs, without really considering its drinkability or balance.
The real beauty in big beers like barley wines, if you ask me, is when a brewer can tame all the forceful elements that go into them and the result is something kind of subtle — something worthy of contemplation and repeat enjoyment. A.E. Cross Barley wine from Last Best Brewing in Calgary is such a beer.
Last Best intended the beer as a tribute to Cross, who was the founder of Calgary Brewing and Malting, as well as one of the Big Four who started the Calgary Stampede in 1912.
The brewery released two iterations of the beer at the end of 2016, both made with locally-sourced barley, wheat and rye. There was an unoaked version and a batch aged in rye whisky barrels.
I opened a bottle of the barrel-aged version and I will say without hesitation that Last Best has produced a fine tribute to the beer’s namesake.
The beer, brewed to 11.8 per cent AVB, poured a slightly hazy ruby brown with a compact off-white head. The head dissipated quickly, but left behind a long-lasting halo around the edges of the glass. A sugary sweet aroma pulled me in, followed by a brief flare of alcohol, spicy rye and a pleasant bit of tobacco.
On the palate, the alcohol came sharply at first, making me wonder if maybe this beer was still a bit on the young side. But I didn’t think that for long at all, because it subsided into a nicely complex mix of toffee, raisins, a hint of rye spiciness and some sticky sweetness in the linger — but not treacly sweet.
The aroma got boozier as the beer warmed up, but the flavour profile went the other way, acquiring more subtlety: some tobacco and a nice warming sensation going down. I’d say most of the barrel qualities in this beer come from the traces of rye left in them, as opposed to any woody traits that were discernible to me.
Overall, this beer has turned out mellow and smooth, except for the boozy flash I mentioned earlier. It’s possible you could age it longer and it might get even better, but it’s really enjoyable right now. If you open a bottle, you won’t be disappointed.
For all the emphasis I put on maintaining my independence from the beer industry, there’s no denying that being someone who writes about it comes with access and privileges.
I’ve been honoured to be a part of the judging at the Alberta Beer Awards for the past two years, by dint of having a modest media profile and a decent amount of beer knowledge built up over the past 15 or so years.
I’ve said before, and I’ll say it again, that my resumé puts me at the lower end of expertise in a judging room filled with highly-ranked BJCP judges and industry veterans.
This year, a select panel that included a number of BJCP judges from across the country picked the 2018 edition of Alley Kat Brewing’s Olde Deuteronomy barley wine as Best of Show.
Olde Deut is a longtime favourite of many Alberta beer lovers and the Best of Show title is just another accolade in a long list for Alley Kat, whose strong showing at the 2019 Alberta Beer Awards earned it Brewery of the Year honours.
The recent achievements are an affirmation that Alley Kat, celebrating its 25th anniversary this year, has kept up with the times and continues to make interesting beers to a high standard.
Olde Deuteronomy’s triumph at the 2020 beer awards is also a testament to the legacy that Alley Kat’s founders, Neil and Lavonne Herbst, have left for the brewery’s new owners, St. Albert businessmen Zane Christensen and Cameron French, who bought the company in February 2020.
So, we have good reason to believe that 2018 was a good year for Olde Deuteronomy. If you’ve ever wondered how some of the dusty old bottles in your cellar are doing, I may be able to help you out.
About a year ago, I had the distinct privilege of being invited to Alley Kat by Neil to do a vertical tasting of nearly every vintage of Olde Deuteronomy going back to 1995 — 13 of them — with him and some of the staff.
(I realize I’ve backed into this seriously cool story like a self-indulgent food blogger writing a 500-word essay about eating their grandma’s grilled cheese sandwiches growing up before disclosing their secret method for making the perfect toastie. I won’t keep you in suspense much longer.)
I took notes that day and I have specific observations below for each year, but the TL;DR version is this: with only one or two exceptions, every vintage is holding up nicely — including the oldest bottles. A couple are excellent.
Before I get on with it, some housekeeping about how the tasting went:
Yeah, it was a lot of barley wine, but this wasn’t the proverbial piss-up at a brewery: each bottle was poured into small sample cups and tasted by a group that fluctuated between four or five people, depending on who was coming and going. We took our time, discussed each vintage and had some responsible fun. Nobody drove.
I discovered shortly after publishing this piece, thanks to comments from friends, that we were missing bottles from 2009 and 2011.
Neil said he stored all the bottles conventionally, in his basement, but they were kept at a pretty constant temperature: about 15C.
When we tasted the 2018 vintage last year, the consensus was that it needed to age a little longer. That’s clearly not representative of the beer named Best of Show in February by judges at the Alberta Beer Awards, so my tasting notes for the 2018 vintage are based on a bottle I opened this week.
And now, here’s Olde Deuteronomy year by year:
1995 vintage: Poured virtually flat with no head. Not much visual appeal, but the aroma was an inviting combination of caramelized sugar and sherry-like qualities. The vinous sherry traits showed through in the taste, along with a nice hint of tobacco. “It’s hanging in there,” said Neil.
1996 vintage: Poured with no head, and the body was visibly thinner than a young barley wine. The aroma had vinous qualities, but the flavour was on the spicier side, with hints of clove.
“The ’95 and the ’96 definitely blew me away,” Neil said afterward. (I concur!)
2000-01 “Millennium” vintage: The aroma dropped off quite a bit from the 1996 vintage, but there was nice toffee and caramel present. The flavour was predominantly caramel and burnt sugar but the finish was dry — not a lot of residual sweetness.
2003 vintage: Raisins, spices and fusel alcohol in the aroma. Raisiny flavour, but the finish was a touch solvent-like and distinctly boozy.
2005 vintage: Slight carbonation in the pour, with raisins and sugary plums on the nose. The flavour followed the aroma. The carbonation was noticeable for such an old bottle and played a bit on the palate, but not in a distracting way.
2006 vintage: Poured noticeably darker than the 2005 with a bit of visible carbonation around the edges. The flavour was a bit sour and there was a bit of the wet paper quality that’s a telltale sign of oxidation. “Bad bottling year,” said Neil.
2007 vintage: The aroma checked out — sugary and vinous sherry notes — but it seemed to be suffering from an issue. There was a lingering sourness and a slight pucker in the aftertaste. It wasn’t unpleasant, but it was definitely not to style.
When we talked about it afterward, Neil said that Alley Kat’s original bottling line was at the end of its useful life around this time. Neil suspects the 2006 and 2007 vintages were well-made, but an issue that came later — too much oxygen getting into the bottles during filling — likely affected their aging.
2008 vintage: Vinous, sherry-like aroma. The flavour was earthier and spicier than the nose let on. It finished smooth with next to no alcoholic heat going down. With a new bottling line in the brewery, Olde Deut got back on track in 2008.
2010 vintage: Poured with a thin tan head and aroma of caramelized sugar. The flavour closely matched the aroma: a sugary sweet finish with some lingering heat.
2015 vintage: Fruity esters and raisins in the aroma. The alcohol delivered some noticeable heat going down, but it wasn’t overbearing.
2016 vintage: Poured with strong carbonation and a grainy aroma. The hops had some mildly citric characteristics and the finish was lightly spicy with some cloves. “There’s a little bit of everything going on,” said brewer Chase Gordon.
2017 vintage: Earthy hop aroma, more earthy hops on the palate, along with some caramel malt. I said that it was like a high-alcohol ESB to me. “The hops are surprisingly earthy,” Chase said.
2018 vintage (tasted solo in April 2020): No “pop” when the cap came off and it poured with low carbonation. A small ring of foam formed around the edges and quickly dissipated. Aroma was caramelized sugar, rum, fruitcake and some grapey vinous notes. There was a bit of tobacco as it warmed.
For a barley wine that’s still on the young side, it was smooth and started sweet on the palate. There were nice raisin and plum flavours, accompanied by some earthy hops, before some boozy heat flared up mid-palate. However, it subsided in the finish, leaving some vinous traits in the linger.
There’s already a nice level of complexity and mellowness for a beer that came out at the end of 2018. It’s definitely an enjoyable sipper now — but considering how well nearly every vintage is holding up, you can safely age this one, too.
Alley Kat is rightfully remembered as one of the pioneers of craft beer in Alberta. I don’t think any reasonable person would disagree with that characterization, but memory is malleable: Is it possible nostalgia and the shared experience of discovering craft beer via Alley Kat has burnished that reputation?
I suppose it’s possible, but tasting just about every vintage of Olde Deuteronomy dating back to Alley Kat’s beginnings goes beyond relying on fond memories. It provides pretty persuasive evidence that Alley Kat was doing good things from the start.
Neil and Lavonne Herbst can be proud of everything they built at Alley Kat over the years. Congratulations to them for their most recent honour at the Alberta Beer Awards, and for 25 great years.
And finally, a personal thanks to Neil for inviting me to take part in such a cool experience. It truly was a privilege.